Paintings after Ancient Masters: Portrait of Tao Yuanming 老蓮橅古: 菊花

Chen Hongshou 陳洪綬 1598–1652

« Paintings after Ancient Masters: Portrait of Tao Yuanming », Chen Hongshou, feuille d’album, Chine, dynastie des Ming (1368–1644) Agrandir (3045 × 3400 px)

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Artiste
Chen Hongshou
Nom en chinois
陳洪綬
Date
1598–1652
Période
Chine, dynastie des Ming (1368–1644)
Format
Feuille d’album (冊頁)
Technique
Album leaf; ink and color on silk
Dimensions
Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
Collection
The Cleveland Museum of Art
Numéro d’inventaire
1979.27.1.5
Provenance
John L. Severance Fund

Ce qu'en dit le musée

Poet Tao Yuanming (365–427 CE) turned down a career as an official in politically turbulent times to return to his home estate, northwest of Mount Lu, to write poetry and enjoy his garden and wine. Having an ailing foot, he was carried in a basket or walked with a staff. As he grew chrysanthemums, Tao is associated with this flower. The artist Chen Hongshou, active in Zhejiang province, suffered through the violent transition from the Ming to the Qing dynasty around 1644. By portraying the poet who lived a millennium earlier during similarly fraught times, Chen intentionally chose an archaistic style.

Notice de The Cleveland Museum of Art, fiche de l'œuvre.

Le saviez-vous ?

Chen Hongshou made this double-album with twenty paintings for a friend, Lin Zhongqing.

The Cleveland Museum of Art

Inscriptions et sceaux

老蓮. [印] 洪綬

Artist's signature and seal: Laolian. [seal] Hongshou

Transcription et traduction : The Cleveland Museum of Art

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