proximity to pitch makes you black (idiom, from Ouyang Xiu 歐陽修|欧阳修) / different environments provide different influence. / Nurture determines a person's character.
single-character headword (in a dictionary) / first character of a Chinese word / the top part (esp. a radical) of a Chinese character / the initial of a Chinese syllable
transfer character (one of the Six Methods 六書|六书 of forming Chinese characters) / character with meanings influenced by other words / sometimes called mutually explanatory character
transfer character (one of the Six Methods 六書|六书 of forming Chinese characters) / character with meanings influenced by other words / sometimes called mutually explanatory character
Six Methods of forming Chinese characters, according to Han dictionary Shuowen 說文|说文 - namely, two primary methods: 象形 (pictogram), 指事 (ideogram), two compound methods: 會意|会意 (combined ideogram), 形聲|形声 (ideogram plus phonetic), and two transfer methods: 假借 (loan), 轉注|转注 (transfer)
History of the Later Tang Dynasty, seventeenth of the 24 dynastic histories 二十四史[Er4 shi2 si4 Shi3], compiled under Ouyang Xiu 歐陽修|欧阳修[Ou1 yang2 Xiu1] and Song Qi 宋祁[Song4 Qi2] in 1060 during Northern Song 北宋[Bei3 Song4], 225 scrolls
Later History of the Five Dynasties (between Tang and Song), nineteenth of the 24 dynastic histories 二十四史[Er4 shi2 si4 Shi3], compiled under Ouyang Xiu 歐陽修|欧阳修[Ou1 yang2 Xiu1] in 1053 during Northern Song Dynasty, 74 scrolls
Four Great Calligraphers of early Tang / refers to Yu Shinan 虞世南[Yu2 Shi4 nan2], Ouyang Xun 歐陽詢|欧阳询[Ou1 yang2 Xun2], Chu Suiliang 褚遂良[Chu3 Sui4 liang2] and Xue Ji 薛稷[Xue1 Ji4]
Eight Giants of Tang and Song prose, esp. involved in the Classics movement 古文運動|古文运动[gu3 wen2 yun4 dong4], namely: Han Yu 韓愈|韩愈[Han2 Yu4], Liu Zongyuan 柳宗元[Liu3 Zong1 yuan2], Ouyang Xiu 歐陽修|欧阳修[Ou1 yang2 Xiu1], the Three Su father and sons 三蘇|三苏[San1 Su1], Wang Anshi 王安石[Wang2 An1 shi2], Zeng Gong 曾鞏|曾巩[Zeng1 Gong3]
the eight giants of Tang and Song prose, esp. involved in the Classics movement 古文運動|古文运动[gu3wen2 yun4dong4], namely: Han Yu 韓愈|韩愈[Han2 Yu4], Liu Zongyuan 柳宗元[Liu3 Zong1yuan2], Ouyang Xiu 歐陽修|欧阳修[Ou1yang2 Xiu1], the three Su's 三蘇|三苏[San1 Su1], Wang Anshi 王安石[Wang2 An1shi2], Zeng Gong 曾鞏|曾巩[Zeng1 Gong3]
choronym (a family's region of origin, used as an indicator of superior social status in a surname-choronym combination) (For example, the Tang writer Han Yu 韓愈|韩愈[Han2 Yu4] is also known as 韓昌黎|韩昌黎[Han2 Chang1li2], where 韓|韩[Han2] is his surname and 昌黎[Chang1li2] is his clan's ancestral prefecture 郡[jun4].)
to make use of / to use sth as pretext / under false pretenses / under the guise of / masquerading as / lenient / tolerant / loan character (one of the Six Methods 六書|六书 of forming Chinese characters) / character acquiring meanings by phonetic association / also called phonetic loan
loan character (one of the Six Methods 六書|六书 of forming Chinese characters) / character acquiring meanings by phonetic association / also called phonetic loan
ideogram (one of the Six Methods 六書|六书 of forming Chinese characters) / Chinese character indicating an idea, such as up and down / also known as self-explanatory character
Sun Wukong, the Monkey King, character with supernatural powers in the novel Journey to the West 西遊記|西游记[Xi1 you2 Ji4] / Son Goku, the main character in Dragon Ball 七龍珠|七龙珠[Qi1 long2 zhu1]
a policy expressed as an eight-character slogan / (esp.) the eight-character slogan for the economic policy proposed by Li Fuchun 李富春[Li3 Fu4chun1] in 1961: 調整、鞏固、充實、提高|调整、巩固、充实、提高 "adjust, consolidate, enrich and improve"
ideogram (one of the Six Methods 六書|六书 of forming Chinese characters) / Chinese character indicating an idea, such as up and down / also known as self-explanatory character
reading or phonetic value of a character / (Japanese linguistics) on-reading, a pronunciation of a kanji derived from its pronunciation in a Sinitic language at the time it was imported from China (Note: An on-reading of a character is distinguished from its kun-reading(s) 訓讀|训读[xun4 du2]. For example, 山 has an on-reading "san" and a kun-reading "yama".)
a reading of a written Chinese word derived from a synonym (typically, a vernacular synonym) (e.g. in Mandarin, 投子[tou2 zi5] may be pronounced as its synonym 色子[shai3 zi5], and in Wu dialects, 二 is pronounced as its synonym 兩|两 "liahn") / to pronounce a word using such a reading / (Japanese linguistics) kun-reading, a pronunciation of a kanji derived from a native Japanese word that matches its meaning rather than from the pronunciation of the character in a Sinitic language at the time it was imported from China (Note: A kun-reading of a character is distinguished from its on-reading(s) 音讀|音读[yin1 du2]. For example, 山 has a kun-reading "yama" and an on-reading "san".)
character used in Taiwan as a substitute for a real name (like "X" in English) / variant of 〇[ling2] / character used in Taiwan as a substitute for a real name (like "X" in English) / variant of 〇[ling2]
traditional system expressing the phonetic value of a Chinese character using two other characters, the first for the initial consonant, the second for the rhyme and tone
lit. to stand with each foot in a different boat (idiom) / fig. to have it both ways / to run after two hares / (especially) to have two lovers at the same time
lit. one palm alone cannot clap (proverb) / fig. it takes two persons to start a dispute / it takes two to tango / it's difficult to achieve anything without support
lit. one is one, two is two (idiom) / fig. things are (or ought to be) perfectly clear-cut / unequivocal
The four tones
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